Black Herstory: Refocusing the Unrepresented
In light of the recent debuts at the National Portrait Gallery of commissioned pieces of President Obama and First Lady Michelle ( done by the amazing Kehinde Wiley and Amy Sherald), let’s take a look back at black people’s traditional involvement with portraits.
This post highlights a series of portraits from the early 18th and 19th Centuries. During these times, families of wealth, who were more often than not slave owners, would have their portraits done to make explicit their prestige and place in society.
In these paintings, these men would show off specific clothes with exquisite fabrics, wear their hair in ways to solidify their stature. Another way to display their wealth was to show the presence of a slave. Sometimes slaves’ faces would be strategically staring up at the colonizers’ in a submissive way, but maybe just their hand, or blurred face would be visible in the background.
A possession. A piece of property. An object.
This piece is to bring light to the unrepresented in these portraits.
To reclaim this piece of our history, honor many of our ancestors, and shift the focus of each portrait.
~ Stoney SPICE ~
Viewing Tip - To see full image & gain full respect for this piece, click on each photo <3
Lady Elizabeth Keppel - Joshua Reynolds 1761
Lady Grace Carteret Countess of Dysart with a Child - John Giles Eccardt 1738
Lady Elizabeth Murray (w/ Dido Elizabeth Murray,) - Johann Zoffany 1779
Charles Stanhope 3rd Earl of Harrington - Sir Joshua Reynolds 1782
Elihu Yale; William Cavendish, the 2nd Duke of Devonshire; and an Enslaved Servant - Unknown Artist 1709
A Lady Holding a Mask - John Raphael Smith 1795 & 1800
A Young Girl - Bartholomew Dandridge 1725
For more information on these pieces and more like these, click here.